Lesson 6

 Secondary Leading Tone Chords

  • In order to spell a vii07/V chord in a given key you must:
  • a. spell the fully diminished 7th chord.
  • b. picture the dominant triad, and start on the pitch a half step down from that note.
  • c. in major keys always add the necessary accidentals. 
  • In the key of C major, the vii07/V chord would be F# A C D#.

This image is showing how the vii07/V would be used in a progression in C major. Reference: Music Student 101

This shows a secondary leading tone in Johan Sebastian's Bach's Chorale: Gott der Vater. Reference: Forte (1979).
This image shows the secondary dominant being added to the ii,iii,IV, V and vi.

This video explains more thoroughly the secondary leading tones about its spelling and resolution.
This video analyses the secondary leading tones and really focuses on how to recognise them in a piece of music and how to label them.

Me playing the progression I-IV-vii07/V-V-I to show how the secondary dominant chords can be used.



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